Playwright: Molière (né Jean-Baptiste Poquelin)
Venue: Germinal Stage Denver, 2450 West 44th
Avenue, Denver, CO
Company: Germinal Stage Denver
Date of Performance: Sunday, May 20, 2012
How do you update a classic
piece of theater written in 1666?
You start by introducing it with one of John Denver’s greatest hits, of
course.
"But the Colorado rocky
mountain high
I've seen it rainin'
fire in the sky
The shadow from the starlight
is softer than a lullaby
Rocky mountain high"
Oh.
And move the play from Paris to Aspen, and set it in the 21st
century. And violà! It works!
For those unfamiliar with the play, a misanthrope
is a person who dislikes and/or distrusts people in general. I think we all know a “misanthrope,”
but we would use different terms today; rude, inconsiderate, self centered, and
antisocial all come to mind.
Molière’s comedies often mock the upper classes,
showing them to be shallow hypocrites and fools. He writes in verse, and Germinal Stage Denver has very wisely
used the Richard Wilbur translation.
Wilbur has deftly preserved Moliere’s wit and rhymes without losing
anything in translation.
The plot seems thin by today’s standards; Alceste
gets into a huge dispute with Oronte.
The disagreement is over whether Oronte has any promise as a poet (he
doesn’t), and whether Alceste could somehow be a little more sensitive in his
criticism (he can’t).
Molière also dabbles here in some more serious
plot questions. Are manners the
enemy of truth? Do men compromise
all their convictions for a woman?
Actually, though, these questions are secondary to the comedy. Molière will make you laugh, he will
entertain you, and that, frankly, is the goal here.
Alceste (Terry Burnsed) is brilliant as the
antisocial misanthrope. He’s a
cranky curmudgeon, and he doesn’t care in the slightest that he is exceedingly
unpopular as a result. He’s rude
because he insists on telling the truth to people instead of exercising the
false politeness that passes for manners.
He speaks truth to power…and to everyone else as well.
Alceste has a highly capable foil in Celimene,
played by Julie Michalak. She’s
sassy, sexy, witty, and she knows how to handle the Misanthrope. Michalak brings a perky feminine
presence to the stage that makes us laugh at Alceste’s foolishness while she
charms every male who takes the stage.
She may be from the 17th century, but she’s a modern woman in
every sense.
The entire cast is very capable, and this
production makes Molière fun again.
Even better than making Molière fun again is that
director Ed Baierlein makes Molière relevant again. Setting the play in contemporary Aspen reminds us that the
“elites” are still an easy target for Molière’s wit. Money may get you a condo near the ski lift, but it doesn’t
cure the self-indulgent foolishness that often accompanies the privileged
class.
I think if Molière were alive today, he might be
a rap artist. His rhyming lines
and social commentary would make him a great collaborator with 50 Cent or
Jay-Z. Or perhaps he would be a
comedy writer…and a very good one.
He can throw out zingers as well as the writers of “Big Bang Theory” or
any other contemporary comedy.
As a long-standing Molière fan (we all have
guilty pleasures, right?), I was definitely looking forward to this Germinal
Stage Denver production. It
delivered. I totally enjoyed the
production and the performance. If
Molière is not your guilty pleasure, I get it. But if you give it a chance, I think you’ll be glad you
did.
NOTE: This is definitely a family show. Kids might resist seeing something
written in verse 340 years ago, but they might also be very surprised to find
they like it.
This show runs through June
10, 2012.
Director:
Ed Baierlein
Cast:
Terry Burnsed (Alceste)
Julie Michalak (Celimene)
Leroy Leonard (Philinte)
Eric Victor (Oronte)
Sam Gilstrap (Acaste)
Randy Diamon (Clitandre)
Mary Cates (Eliante)
Anne Smith Myers (Arsinoe)
Marc K. Moran (Dubois)
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