Photo Credit: Denver Center for the Performing Arts |
Based on a novel by: Michael Morpurgo.
Adapted for the stage by Nick Stafford.
Venue: Denver Center for the Performing Arts,
Temple Hoyne Buell Theater, 1400 Curtis Street, Denver, CO.
Date of Performance: Tuesday, January 8, 2013
(opening night)
Running Time: 2 hours 45 minutes (includes 20 minute
intermission and 12 minute stoppage in the second act).
Opening nights are risky; if
something can go wrong, there’s a pretty good chance it will happen at the
first performance. War Horse opened at the Buell on
Tuesday, January 8, and it was as memorable for a serious glitch as it was for
its dramatic aspirations.
War Horse
hit Denver shortly after winning five Tony awards in 2011. It was a highly anticipated theater event;
substantial print and TV press coverage preceded the opening performance. The show features lifelike puppets to portray the title character.
To be
clear, those puppets do NOT disappoint.
The illusion is so good that one easily forgets that there is no horse
on the stage. The movements, the
mannerisms, and frankly, the personality of the horse Joey are dead ringers for
a real horse. It’s no wonder that,
in addition to the five Tony awards for the play, the Handspring Puppet Company
also won a Special Tony Award in 2011 for War
Horse.
Joey, like many of the human
characters in War Horse, is “drafted”
into World War I, to serve in the British cavalry. That is a high-risk assignment for Joey;
of the 1,000,000 horses that actually went to war, only 62,000 returned. Albert Narracott (Andrew Veenstra), who
raised Joey from a foal, lies about his age to enlist in the British cavalry so
he can find Joey and bring him home.
Albert’s devotion to his horse is limitless, as is the carnage he sees
on the battlefield.
I really wanted to like, no,
love, this play. Alas, it fell
short of the high expectations created by the Tony buzz and the media
hype. Lowlights include:
·
The story is
fairly predictable, although the ending is unlikely and frustrating.
·
Using a horse to
show how cruel war can be tends to diminish the cruelty visited upon the human
beings whose lives are changed or randomly destroyed.
·
The horses are
not the only puppets in War Horse. They are, however, the only necessary
puppets in the performance. The
other puppets distract. If you
haven’t seen War Horse, picture
sparrows on a pole, flitting about the stage followed by a human pole
handler. It just does not work.
While the show fell short of
expectations by intermission, the coup de
grace was administered near the end of the second act. In the middle of the battlefield, something
went awry backstage, taking down all the sound and light cues. The house lights came up, the actors left
the stage, and the show stopped.
The public address announcer apologized to the audience for the
“technical problem backstage.” It
took about 12 minutes to restart the performance.
The effect was that of
letting the air out of a balloon.
The audience just sat there, waiting for further instructions.
Shows that rely on high tech
effects walk a tight rope. If it
all works, it’s magic. However, if
there is a small (or in this case, a large) glitch, the effect is calamitous. It’s not magic. The illusion is gone. We think we are participating in an
event, but when the magic is gone, we remember that we are watching a
performance. It’s the difference
between experiencing an event and observing an event. That difference is profound.
These things happen. Computers crash, microphones fail,
lights burn out…relying on these tools requires taking the risk that they will
perform flawlessly. They usually
do, but not always, and not on opening night for War Horse.
My experience with Broadway
productions, both in New York and on tour, is that they are “state of the
art.” They employ the most
talented performers, the best technicians, the most creative producers,
directors, and technicians in the industry. The tickets are expensive (up to $125 for War Horse) because the performances are
the best in the world. War Horse is the first such production
where I felt the performance did not justify the ticket price.
I realize that it is
unlikely War Horse will suffer
another show stopping “technical problem” on this tour. Unfortunately, I can only review the
performance I saw, and that performance fell short of my high expectations.
NOTES:
This show runs until January
20, 2013. This show is suitable
for children. However, the subject
is war, and some scenes may be too intense for some children. Parental discretion advised.
Director for US Tour: Bijan Sheibani
Cast (main characters):
Arthur Narracott: Brian Keane
Billy Narracott: Michael Wyatt Cox
Albert Narracott: Andrew Veenstra
Emilie: Lavita Shaurice
Rose Narracott: Angela Reed
Private David Taylor: Alex
Morf
Cast (horses):
Joey as a foal: Laurabeth Breya,
Catherine Gowl, Nick Lamedica
Joey: Danny Yoerges, Brian Robert Burns,
Gregory Manley
Topthorn: Jon Hoche, Danny Beiruti, Aaron Haskell
Coco: Patrick Osteen, Jessica Krueger
Heine: Grayson DeJesus, Jason Loughlin
Amen! War Horse is of course interesting in its puppetry, liked the goose alot. Is too long even without the glitch, in my opinion.
ReplyDeleteI agree....too long and the goose was amusing. I just couldn't deal with the sparrows on a stick. They add nothing to the story, and distract the audience from the what's going on with the characters.
ReplyDeleteWhatever caused the second act to crash is unacceptable to me. We paid for, and deserved, better.
Bill